Alayna Rasile Digrindakis

TEXTUS opens 8.4.17

Alayna Rasile Digrindakis & Lauren Roberta Korn: TEXTUS

August 4 to October 27, 2017

Opening Reception on Friday, August 4th from 5:00 to 8:00 pm

Artists will be present on night of opening for talks.

TEXTUS explores ways in which text can be translated or made into visual artifact, visual art into literature, and how each medium speaks to record-keeping and storytelling.

In TEXTUS, poetry is brought into conversation with textile through the translation of written correspondence. By revisiting an archive of over four hundred letters sent between 2007 and 2016, Helena natives Alayna Rasile-Digrindakis and Lauren Roberta Korn allow one another to reinterpret their experiences by drafting a metaphorical palimpsest—one that layers poetic and visual explications of early adulthood. 

These women have utilized their seemingly disparate art forms to confront ideas of nostalgia and sentimentality, of hindsight and maturity, and to revisit their friendship through visual art and poetics. Ultimately, however, TEXTUS serves to emphasize the act and the intention of written correspondence. Beyond the content of the source material, it is the habit and the care with which individual stories were (and are) shared that embodies the ever-evolving relationship between text and textile, between writing and weaving.   

The Holter Museum of Art thanks Bonnie Lambert and Bruce Meadows for sponsoring this exhibition.

Posted on July 25th, 2017

Standard Incomparable 06.04.2016 – 9.11.2016

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This month two textile artists, Helen Mirra and Ellen Lesperance, installed their show Traversing at the Armory Center for the Arts in Pasadena, CA.  I am so fortunate to be part of a community of weavers from around the world who contributed pieces to Mirra’s project Standard Incomparable.  The parameters were to weave two pieces out of local fiber with seven stripes as long as the weavers arm and as wide as the weavers hand.  Standard Incomparable will have many iterations beginning with this show at the Armory Center.  In September it will travel to Milan for a show at the Raffaella Cortese gallery and ultimately will be part of the collection at the Isabella Stewart Gardner Museum in Boston, MA.

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My pieces have a warp of american wool spun by the Huntington Yarn Mill in Philadelphia and a weft of alpaca from Doylestown hand spun on my drop spindle.standardincomparable

Posted on June 22nd, 2016

AIR 6 Final Show

The culmination of a nine-month residency – join me to celebrate!

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Posted on September 19th, 2015

Harvesting Fiber in Vieques, Puerto Rico

After almost an hour of driving our Jeep down a road that wasn’t really a road – a magical stand of cotton bushes appeared!
cottonI just so happened to have my drop spindle with me, so after the laborious process of de-seeding the cotton – the spinning could begin!  Cotton fibers are so short that the yarn making was very slow moving.

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I taught an Underwater Basket Weaving class in the pool using palm fronds and the long vines of ceiba trees.

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Posted on April 2nd, 2015

Process: Kasuri

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I’ve been experimenting with text rendered through Ikat weaving.  A double Ikat is when both the warp and the weft have been selectively dyed before even dressing the loom.  The result is called Kasuri – a fabric where the resists are alined during the weaving to reveal a design.

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I started by making a paper template, where I created a grid to guide me in tying the warp resists.  I measured my warp into three inch sections.

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Using plastic bags, I tightly tied each section of the warp that I wanted to remain white.

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I dyed the wool warp in an Indigo vat, and then removed all of the plastic ties.

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Once I dressed my loom and determined my picks-per-inch, I went through the same tying and dying process with each one inch section of weft.   Very laborious!

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My alignment was not perfect, due mostly to inconsistencies in tying on the warp and also due to the stretch of the wool.  But I was still pleased with how much the white sections lined up and how legible the text turned out.

Posted on February 13th, 2015

Harvesting Color from Deer Isle, Maine

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I spent an unseasonably warm holiday break on Deer Isle in Maine taking walks and meeting folks and collecting sources of color. I brought back two kinds of lichens (Old Man’s Beard and Toad Skin), some rotten birch wood, and staghorn sumac. I also met a man named Pete, who took an interest in my foraging mission and gave me some bloodroot, auricular fungus, and freeze-dried sea urchin gonads to test.

results

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Posted on January 25th, 2015

AIR cycle 6 is announced

One month into the residency and I’m totally overwhelmed by possibilities and directions.  My seven partners-in-crime are mindblowing individuals- read more about them here.

Christi Johnson .  Anne Marie Lavigne  .  Aimee McLaughlin  .    Yoshiyuki Minami  .  Iris Plaitakis  .  Emelie Rohndahl .  Hannah Schultz

Posted on October 24th, 2014